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They're also doubled many times, so that it sound like a whole choir of Bustas whispering "Come here, ma."But that Busta rapper in the front? He's actually dead-center, mixed way more quietly, and there's just one of him. It happens at 0:35 in the song, when Busta raps the words "Come here, ma," right after spilling, "Tell me what you really want to do." We know that the words "Come here ma" come from their own separate Busta instrument, and aren't just a continuation of the words "Tell me what you really want to do," because of how they're placed in your headphones: they're super loud, and panned out to the far left and far right. In the first bar of the first verse, Busta-the-rapper introduces us to his good friend behind him in the background: we'll call him Busta the backup. And we hear the two Bustas on this song, right from the very start of verse 1. There are actually 2 Bustas on this song, and their back-and-forth interplay is exactly what makes Busta rap's sound fresh and new, even 20 years after this song came out. That's because, if you thought that there was just one Busta Rhymes rapping on this song.well, you'd be wrong. But outside of all those fast fireworks (which we'll get to later), this song is a perfect example of how rappers' are at the forefront of music today.
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Dre's love of simple drum beats under mazy minor scales perfectly supports Busta's ultra-quick, super-complex flow on this song. Dre is on the beat, and "Break Ya Neck" is no different. The answer lies in a few musical techniques that the song "Break Ya Neck" shows off braggadociously: vocal layering, and call-and-response musical formats.Īny true Busta head knows that Bussa Bus always shows up most when his old friend Dr. But how is this possible, when humans can only speak one-word at a time? When Stephanie's not sleeping in her car, she lives in New Orleans, which might not be the best idea.From "Break Ya Neck"to "Get You Some," and from "Truck Volume" to "Tear Da Roof Off," Busta always makes his voice way more than a voice: he makes it an orchestra - a diverse group of complementary sounds that together create something greater than the sum of their parts. She has since sung with Bobby McFerrin in Carnegie Hall, directed the musical program of a Brooklyn burlesque series, covered Busta Rhymes' "Break Ya Neck" in the skeletal remains of a bombed-out cathedral in Nuremberg, been invited to perform official showcases at SXSW and International Folk Alliance, and self-released 5 full-length albums, three of which were picked up for European release by German roots/blues label Tradition und Moderne (Taj Mahal, John Fahey).
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At twenty-two, she had graduated from the Cleveland Institute of Music with a degree in classical piano performance and temporarily relocated to New York City, where she began writing songs and performed regularly on the east village anti-folk scene while making a living working odd jobs as a dog walker, valet parking attendant, Italian coffee bar barista, ghostwriter, and research assistant to a blind bioethicist at an all boys' Jewish university. Having studied piano and cello since the age of six, she was a finalist at the Young Concert Artists' International Competition, a gold medalist at the Fischoff Competition, and had performed on NPR on three occasions by the age of seventeen. Vaccination Requirement for Manitoba Music Projects & EventsĬhicago-born jazz/punk/barrelhouse musician Stephanie Nilles has been doin' Kesey proud one bar at a time since 2008, hustling around the United States, Europe, and Canada (except from 2009-2010 for legal reasons), averaging 150 gigs a year, and captivating unsuspecting listeners with a voice that would make Jelly Roll Morton look orthodox and Ma Rainey look sober.